Pablo Bronstein

Born in Buenos Aires, lives and works in London. Bronstein’s solo shows for 2017 included a major presentation at RIBA, London, Conservatism, or the Long Reign of Pseudo-Georgian Architecture. Bronstein was the recipient of the Tate Britain Commission 2016, for which he produced Historical Dances in an Antique Setting in the Duveen Galleries. In 2016 he also designed the set for The Creation, produced by Rambert and reenacted at Garsington Opera, Buckinghamshire, before touring to Sadler’s Wells, London. Other solo exhibitions include: Wall Pomp, Pallant House Gallery, Chichester (2016); The Grand Tour, Nottingham Contemporary, Nottingham, and Chatsworth House, Derbyshire (2015); Studies in Mannerist Decomposition, Museo Marino Marini, Florence (2015); We live in Mannerist times, Museum of Fine Arts, Houston (2015); Enlightenment Discourse on the Origins of Architecture, REDCAT, Los Angeles (2014); A is Building, B is Architecture, Centre d’Art Contemporain, Geneva (2013); Sketches for Regency Living, Institute of Contemporary Arts, London (2011); Pissoir, Kunsthal Charlottenborg, Copenhagen (2011); and Pablo Bronstein at the Met, The Metropolitan Museum of Art, New York (2009). In 2017, König Books published Pseudo-Georgian London and in 2013 König Books published a major monograph of the artist, A is Building B is Architecture. Other solo publications include: Gilded Keyholes (2013), Postmodern Architecture in London, second edition (2011) and Ornamental Designs (2008), all published by König Books, as well as Enlightenment Discourse on the Origins of Architecture (2014) published by REDCAT, Pissoir (2011) published by Kunsthal Charlottenborg and Description of Casa Scaccabarozzi (2008) published by Galleria Franco Noero.